From the very beginning, we assumed internal sound pressure
levels could reach up to 110 dB — especially during production
sessions or rehearsals with small groups. This is typical in
modern electronic music, where sound isn’t just heard but
physically felt.
That’s why the first thing we proposed was
to implement a room-in-room concept — a fully decoupled,
freestanding structure built specifically to provide
professional-grade soundproofing. The room has its own rigid
frame, separated from the hangar by a 1.5-meter buffer zone,
with absolutely no rigid connections to the existing shell.
But
physical separation alone is not enough. The effectiveness of
sound insulation in this case relies on several interdependent
factors:
• the mass and density of the wall and ceiling
assemblies,
• total airtightness of the enclosure,
•
and carefully calculated vibration isolation throughout the
system.
We applied independent decoupling not only between
the new room and the building — but also between certain inner
structural elements: floating floor, ceiling frame, and even
some wall junctions were acoustically separated to eliminate
bridging and structural transmission.
The result is a
carefully engineered space, where high sound pressure levels
remain fully contained, without disturbing neighboring units —
and without compromising the internal acoustic quality.